We have a good selection of Soundcraft analogue mixers and Yamaha digital consoles. Smaller analogue desk for applications that don't need to be over complicated but still need proffesional audio quality. Compact digital desks for control of your mix and recall in a small footprint. Concert grade digital desks with digital multicores for front of house, monitors or broadcast mixing for large events.

Alesis Multimix  
This compact, all-in-one rack-mounted mixer with integrated iPod player features five mic/line inputs which have 48V phantom power, 2 Aux sends and two band per channel EQ with High/Low shelving with inserts to allow for easy external processing of incoming channels in a single easy to use unit.  
           
Mike/Line Inputs 5 Stereo Inputs 2    
EQ 2 Band Pre Fade Aux 1    
Post Fade Aux 1 FX Return 2    
Phantom Power 1 Phase Return 0    
Routing Groups 0 PFL 0        
Mute Groups 0 Midi/Logic Mute 0        
Matrix Talkback 0     Day £15
Oscilator 0         Weekend £30
            Week £45
Quantity in hire stock 4         Month £171
               
Soundcraft M12  
The Soundcraft M12 is a high quality compact mixerwhich has 12 mono input channels, 4 stereo inputs and 4 stereo returns. Each mono input channel has a 3 band eq with a swept mid and 4 auxiliary sends, 2 pre and 2 post.  
           
Mike/Line Inputs 12 Stereo Inputs 2    
EQ 3 Band Swept Mid Pre Fade Aux 2    
Post Fade Aux 2 FX Return 4    
Phantom Power 1 Phase Return 0    
Routing Groups 0 PFL 1        
Mute Groups 0 Midi/Logic Mute 0        
Matrix Talkback 0     Day £18
Oscilator 0         Weekend £36
            Week £54
Quantity in hire stock 2         Month £205
               
Spirit LX7  
The LX7's balanced mic inputs all use Ultramic preamps, providing 60dB of gain range and 22dBu of headroom. Each input also includes 4 band EQ with two swept mid frequency controls. In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter. The six auxiliary sends are pre-post switchable in pairs from each channel, providing a maximum of 4 pre-fader and six post-fader. This makes LX7 equally applicable for foldback or effects. Two further stereo inputs with EQ, and two auxiliaries are suitable for playback inputs two FX returns complete the input line up.  
           
Mike/Line Inputs 24 Stereo Inputs 2    
EQ 4 Band 2 Swept Mids Pre Fade Aux 4    
Post Fade Aux 2 FX Return 2    
Phantom Power 1 Phase Return 0    
Routing Groups 4 PFL 1        
Mute Groups 0 Midi/Logic Mute 0        
Matrix Talkback 0     Day £30
Oscilator 0         Weekend £60
            Week £90
Quantity in hire stock 1         Month £342
               
Soundcraft Ui16  
The Ui16 has eight XLR combo mic/line inputs, four XLR mic inputs, two channels of Hi- Z/instrument inputs, as well as a stereo RCA line input. The four aux outputs and stereo outputs are on balanced XLR. With built-in Wi-fi and the ability to be controlled by any connected device via a standard web browser - no Apps, no OS limitations, no constraints on how or where you mix. It feature fully recallable and remote-controlled mic gain and phantom power, along with 4-band parametric EQ, high-pass filter, compressor, de-esser and noise gate on each input channels. Built in are three dedicated Lexicon FX busses: Reverb, Delay and Chorus. In addition, mixer controls include Subgroups, Mute groups and View groups, among others. The Ui Series mixers feature full Show/Snapshot recallability with channel recall safes.  
           
Mike/Line Inputs 12 Stereo Inputs 2    
EQ 4 Band 2 Swept Mids Pre Fade Aux 4    
Post Fade Aux 3 FX Return 3    
Phantom Power 1 Phase Return 0    
Routing Groups 0 PFL 1        
Mute Groups 8 Midi/Logic Mute 1        
Matrix Talkback 0     Day £30
Oscilator 0         Weekend £60
            Week £90
Quantity in hire stock 2         Month £342
               
Yamaha TF1  
The TF1 features TouchFlow Operation, recallable D-PRE preamps on its 16 mono input channels. The desk has motorised faders for recall along with 8 mono and 6 stereo aux channels, 4 band parametric eq, compression and gating on each channel. The two on board effect processors have the basic effects needed for most applications. The mixer is also fitted with a dante card so can be used with a digital multicore for convenience.  
           
Mike/Line Inputs 16 Stereo Inputs 2    
EQ 4 Band Parametric Pre Fade Aux 7    
Post Fade Aux 7 FX Return 2    
Phantom Power 1 Phase Return 1    
Routing Groups 0 PFL 1        
Mute Groups 8 Midi/Logic Mute 1        
Matrix Talkback 1     Day £65
Oscilator 1         Weekend £130
            Week £195
Quantity in hire stock 2         Month £741
               
Yamaha TF5  
The TF5 features TouchFlow Operation, recallable D-PRE preamps on its 32 mono input channels. The desk has motorised faders for recall along with 8 mono and 6 stereo aux channels, 4 band parametric eq, compression and gating on each channel. The two on board effect processors have the basic effects needed for most applications. The mixer is also fitted with a dante card so can be used with a digital multicore for convenience.  
           
Mike/Line Inputs 32 Stereo Inputs 2    
EQ 4 Band Parametric Pre Fade Aux 7    
Post Fade Aux 7 FX Return 2    
Phantom Power 1 Phase Return 1    
Routing Groups 0 PFL 1        
Mute Groups 8 Midi/Logic Mute 1        
Matrix Talkback 1     Day £95
Oscilator 1         Weekend £190
            Week £285
Quantity in hire stock 1         Month £1080
               
Yamaha CL5  
With a three-section fader layout for efficient hands-on control, the 72 Channel CL5 is the ideal choice for a diverse spectrum of live sound systems. 24 mixes buses and 8 matrices and a built in meter bridge help you stay in control.  
           
Mike/Line Inputs 72 Stereo Inputs 8    
EQ 4 Band Parametric Pre Fade Aux 8    
Post Fade Aux 8 FX Return 4    
Phantom Power 1 Phase Return 1    
Routing Groups 16 PFL 1        
Mute Groups 1 Midi/Logic Mute 1        
Matrix 1 Talkback 1     Day £280
Oscilator 1         Weekend £560
            Week £840
Quantity in hire stock 1         Month £3192
               
Yamaha LS9 32  
The LS9 series consoles follow in the distinguished footsteps of the M7CL. The LS9 consists of the 32-mic/line input While being compact and light enough for one person to move and set up easily. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound.  
           
Mike/Line Inputs 32 Stereo Inputs 4    
EQ 4 Band Semi Parametric Pre Fade Aux 8    
Post Fade Aux 8 FX Return 4    
Phantom Power 1 Phase Return 1    
Routing Groups 16 PFL 1        
Mute Groups 0 Midi/Logic Mute 1        
Matrix 8x8 Talkback 0     Day £115
Oscilator 0         Weekend £230
            Week £345
Quantity in hire stock 2         Month £1311
               
Yamaha M7CL 48Ch  
The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the "Centralogic?" control interface that makes it as easy and intuitive to use as an analog console. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that "digital is difficult". A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope. Centralogic? is an innovative Yamaha approach to console operation that allows total control from an easily accessible central area. Blocks of eight channels can be brought to the center of the console via simple navigation keys, and operated via a central interface including a touch-panel display and encoders directly below the display. Yamaha's acclaimed Selected Channel interface is also implemented, providing a range of operating options that make this advanced digital console as easy and intuitive as an analog console to use in live sound applications. Visually Familiar Control EnvironmentThe M7CL has been designed to offer a visually familiar, comprehensive control environment. Every aspect of the console, from the layout of the navigation keys to the advanced graphic on-screen features including channel name icons and a virtual rack for EQ and effects, provides visual cues that let you operate major system functions without having to refer to a manual. And with the touch-panel display you can simply reach out and operate functions as if they were physical controls. The M7CL integrates everything you need for top-quality live sound with an intuitive interface that makes the transition from analog to digital a real pleasure. Advanced Channel Functionality with a Logical Access StructureThe M7CL provides all the functions you'd expect on a top-level live sound console, organized in a logical three-tiered hierarchy that makes operation exceptionally smooth and efficient. Every input channel has a physical fader, ON switch, and meter that are visible and operable at all times. Major mix functions such as input gain, EQ, auxiliary sends, dynamics, and more are directly accessible via the Selected Channel and Centralogic? interfaces. Functions that are not required for real-time operation during a performance are located one level below. This configuration keeps the interface as simple as possible while allowing full, unimpeded access to performance-critical functions. The input channels include a 72-dB "recallable" head amp, phantom power, phase switching, a HPF, four-band fully-parametric EQ, and LCR panning capability. Each channel also offers two types of EQ, two dynamics processors, digital attenuation/gain that takes advantage of the console's extra bit length for maximum signal-to-noise ratio, flexible metering points, insert points, and direct outputs with -8 ~ +10 dB level adjustment. It all adds up to functionality and ease of use that go way beyond conventional analog consoles. Sophisticated Effects and GEQIn addition to its already impressive array of mix functions, the M7CL features a "virtual" 8-unit rack that can be loaded with up to four effects and four graphic equalizers, or you can use fewer effects and have up to eight graphic equalizers operating simultaneously. The 48 effects provided include Yamaha's outstanding REV-X reverb effects. You can use either "standard" single-channel 31-band graphic equalizer units, or innovative Flex15 GEQs that provide two channels of equalization with which you can control up to 15 bands at 31-band bandwidths. With the virtual rack loaded with eight Flex15 GEQ units you have 16 channels of high-performance graphic EQ! EQ bands can be directly controlled via the Centralogic? faders for intuitive tactile operation. Eight DCA Groups and Eight Mute GroupsEight DCA (Digitally Controlled Amplifier ? similar to VCAs on an analog console) groups and eight mute groups afford considerable grouping and muting versatility. DCA group master control can be assigned to the console's Centralogic ? faders, while mute groups can be assigned to the User Defined Keys as required. Channel linking is another powerful grouping feature, allowing specified groups of faders and functions to be linked for simultaneous control.  
           
Mike/Line Inputs 48 Stereo Inputs 4    
EQ 4 Band Semi Parametric Pre Fade Aux 8    
Post Fade Aux 8 FX Return 4    
Phantom Power 1 Phase Return 1    
Routing Groups 16 PFL 1        
Mute Groups 0 Midi/Logic Mute 1        
Matrix 8X8 Talkback 1     Day £230
Oscilator 1         Weekend £460
            Week £690
Quantity in hire stock 1         Month £2622